触产品和空间，设计的顶端 | GINZA SIX

GINZA SIX EDITORS

时装，珠宝&表，生活方式，美，食物…
精通各种类的充满个性的编辑们GINZA SIX和闲逛
抒写步行找到的享受方法。

土田贵宏

GINZA SIX EDITORS Vol.4(Lifestyle)

GINZA SIX的一个愉快在到处碰上世界水准的设计师的新的工作。馆内全体的空间构成可能正舒适，有几个想由于像美术展览室那样的心情走路的商店。各一个选了想从那样的里面关注生活方式系统的店铺和空间的设计的时装店。

4楼的CIBONE CASE从在青山的CIBONE做旋转出界的店铺。一边细心，并且发挥那种审美观，一边是踏作为银座的国际的气氛的商店。在这里卖的比利时的精锐设计师，出自Muller van Severen的椅子大量拥有有工业感觉的小韵律和意外性的颜色使用是魅力。仿佛好像作为现代美术的样子。

布鲁克林出自据点的Ladies&Gentlemen Studio的"Aura chime"、"Playscape mobiles。"在有切身关系的食材是自己的用手组合，用设计进行构思的二人组的作品。摇动的话朴素的声音影响的这种产品正持有他们善于的活动雕像的要素，像一样在80年代的形状以及颜色是现在的室内装潢的心情。

有丹麦的传统的品牌，Lyngby Porcelæn的花基础被从1930年代起做的型号。色调以及尺寸的变化也绝妙，并且几岁，或者列举，想使用。就这样即使栽花也像画一样。

在在这里列举的3项目中2个现在在日本的处理恐怕只CIBONE。顺便也在国外管理这样的东西的店铺还非常是一部分。用那样的意思，CIBONE正预先得到时代。CIBONE更加独特的作为能在那个1分1分长的时间轴有留恋的东西的。想要看清未来的经典的那个平衡感精彩。

设计CIBONE CASE的室内装潢的是二俣公一。设立有量感的墙以及拉门状搁板，平缓，并且左右分割广阔的独特的形状的空间。即使食材的选择也在巧妙精彩地在看完成也不厌倦。

这里从地下1楼到4楼托起店铺的华伦天奴的时装店。在GINZA SIX开了的时候，特别被在空间压倒的是这家商店。现在，世界各国的华伦天奴的室内装潢，英国人建筑师的戴维·基帕菲特正担负大的职责，那个作品的风格让感到设计全体GINZA SIX设施的外观的建筑师，与谷口吉生的相互适合性的好处。时装店的墙和地板被在均质的灰色的水磨石(人造石头)统一，karara大理石，黄铜，橡木有效地使用了。

4楼的显示男子的鞋的空白。壁面的搁板是往墙的高低差别上在被在全体店铺使用的东西浇上端的结构。作为同商店里面的版面设计在照亮商品的LED被内置的上边相适应，能左右移动的结构的惊奇。到底是基帕菲特。

在4楼的佣人·二·主流的角装上衬衫的彩色以及袖扣的样品的搁板。商店里面的大多数的搁板正由黄铜的架子和橡木构成，但是这里是洁白的皮革，并且把架板包起来，正像题材那样突出长得端正的形状的彩色。

一系列的橡树的家具也是出自基帕菲特的原创。作为看似他的minimaru的形式是特征，并且椅子能在桌子下正好平息。在佣人·二·主流的角，在这里坐下，交流套装以及衬衫的订货。

想即使没有事情也体验的把商店里面的层之间连接起来的电梯。除了大理石的地板以外，正一切由黄铜构成，仿佛好像是钱的茶室。正在大理石可以至那里的接近。

丹麦的家具设计的名家高手，boe·moensen在1963年发表黑色皮革的躺椅的历史的东西。在被到各个角落斯多葛派构成的空间中，选让人关于椅子舒畅的东西的观点是使吼叫。当然优质的刀鞘等级感觉正一贯，正完美地调和。

象征华伦天奴的式的项目中的一个，凸轮明星(伪装×明星花样)的袋。对这个品牌的产品感到的是对时装的压倒的爱情和探险心，并且那个(平常没正以时装为对象做)也对像我那样的打火机传达。比方说伪装被用所有品牌使用，但是为了有最经过提炼的独创性华伦天奴的花样想。
一边是每隔时期出生的各种各样的项目的背景，一边时装店的设计同时在建筑性的快感这样溢出来。没能介绍完，但是被用大理石zukumeno楼梯以及灰色统一的试衣室不能错过。这"神住在具体部分"是现代建筑的黄金律，但是是那个愉快能用身体感觉的绝好的景点。

Text : Takahiro Tsuchida　Photos : Kaori Imakiire　Edit : Yuka Okada

One of the joys of GINZA SIX is being able to experience the new work of world-class designers. The complex as a whole contains generous amounts of space, and visiting many of the stores feels just like visiting a gallery. Of these, I’ve selected one lifestyle store and one boutique with space designs I’d like to highlight.

Located on the fourth floor, Cibone Case is a Cibone spinoff, originally opened in Aoyama, Tokyo. While deftly incorporating the parent store’s refined aesthetic, the store here at GINZA SIX is rooted in Ginza’s international atmosphere. It offers chairs from Muller van Severen, an up-and-coming designer from Belgium, which are especially appealing for their industrial minimalism and unexpected color combinations. The overall impression is of encountering works of modern art.

The Aura chimes and Playscape mobiles from Brooklyn-based Ladies & Gentlemen Studio are the work of a two-person design team, who combine everyday materials by hand to create inspired designs. The chimes emit a soft ring with a rustic charm when moved by the breeze. Together with the team’s trademark mobiles, they infuse 80s-style forms and colors with the feel of today’s interiors.

This flower vase from the longstanding Danish brand Lyngby Porcelæn has been made since the 1930s. There’s a superb selection of colors and sizes. You can use a number of them together, and they offer a pictorial quality with or without flowers.

Two of the three items I’ve mentioned thus far are more than likely only available in Japan at Cibone at this time. And even overseas, you can find them at very few stores. In this sense, Cibone is ahead of the times. Another unique characteristic of the store is that each item is a type you become attached to over a period of time. In its commitment to uncovering the standards of tomorrow, the store exhibits a wonderful sense of balance.

Cibone Case’s interior was designed by Koichi Futatsumata. The uniquely shaped space offers ample space flowing laterally and is separated informally by voluminous walls and sliding shelves. The materials have been masterfully selected to create a beautiful finish that stays fresh in the eye.

This is the interior of the VALENTINO boutique, which occupies space from the first underground floor up to the fourth floor. When GINZA SIX first opened, it was this store’s space that really impressed me. The UK architect David Chipperfield currently plays a major role in the interior design of Valentino stores around the world, and its style gives off a sense of kinship to that of Yoshio Taniguchi, the architect who designed the exterior of the overall GINZA SIX complex. The boutique’s walls and floors are unified with a homogenous gray terrazzo (artificial stone), while effective use is made of Carrara marble, brass, oak, and other materials.

This space on the fourth floor displays the brand’s men’s shoes. The wall shelves are used throughout the store and are attached at the top to a ledge on the walls. The LEDs that illuminate the products are built into the shelves. I was surprised to learn that they can slide left and right, depending on the layout of the store displays, an example of Chipperfield’s distinctive ingenuity.

This shelf in the made-to-measure area on the fourth floor displays samples of shirt cuffs and collars. Almost all the shelves in the store are made of a brass frame and oak materials, but these shelf boards are wrapped in pure white leather, which accentuates the collars of the exquisite forms, as if they were objets d’art.

The oak furniture pieces are also Chipperfield originals. His distinctive minimalist forms are evident. Here, as you can see, the chairs fit perfectly just under the table. You can sit out here in the made-to-measure area to work out the details of your suit or shirt order.

Even if you don’t have a specific reason to, I recommend trying out the elevator that connects the floors inside the store. Other than the marble floor, everything is appointed in brass, like a golden tearoom. The approach is also made of marble.

This black leather lounge chair is a historic piece presented first in 1963 by renowned Danish furniture designer Børge Mogensen. Within this space of thoroughgoing stoic repose, the chair clearly conveys a perspective of items chosen for relaxation. And, of course, it radiates a consistent feel of quality and class that perfectly harmonizes with the rest of the interior.

One item that represents Valentino’s style especially well is the Camoustar bag, with its star and camouflage design. What I sense in the brand’s products is a true and deeply felt love of fashion and a sense of inquiry, which comes through even to a writer like me, who does not normally approach fashion. For example, camouflage is used by just about every brand, but Valentino’s pattern appears to me to be a highly sophisticated original.

The boutique’s design serves as a backdrop for various items that arrive each season while offering a wealth of architectural pleasures at the same time. Incidentally, while I wasn’t able to fully introduce them here, the all-marble stairs and unified gray fitting rooms are also not to be missed. “God is in the details” is the Golden Rule of modern architecture, and this is an ideal spot to experience the pleasure of its truth.

Author: Takahiro Tsuchida　Photographer: Kaori Imakiire　Editor: Yuka Okada