GINZA SIX EDITORS
时尚、珠宝&手表、生活方式、美容、食品…
精通各种类型的个性丰富的编辑们,在GINZA SIX上闲逛
记述走路发现的乐趣。
GINZA SIX只需要6分钟 GINZA SIX—Even If You Have Just Six Minutes
山崎贵之
GINZA SIX EDITORS Vol.75
因为父母的急急忙忙,从小就亏了。由于时尚杂志编辑这一职业,为了出席新闻出版相关的活动每天都忙于活动,但正因为急性子,所以无法在一个地方长期居住。心不在焉。把计划提前到各个地方。累了。
银座是经常去的地方,但经常会有“某品牌的银座店的派对,开场前15分钟就到了”。在那里等候的时间很长,在咖啡馆安静下来也很短。考虑到徒步移动的话,自由的实际上只有5、6分钟,但是即使是短暂的时间,也想忘记工作,转换心情。这种时候一般都会去GINZA SIX。GINZA SIX只需要6分钟。在这种情况下,在哪家商店做什么? 有几个想法。
滑进下行自动扶梯B2F“CafcoEurope(咖啡·欧普)”。摩博·莫加文化华丽的1920年代在银座开业的传说中的咖啡店复活了。目标是银座咖啡果冻和咖啡的套餐(1050日元※以下全部不含税价格)。室内空间即使很拥挤,旋转也很快,大部分情况下都能坐。
咖啡果冻是无糖且有苦味的东西。将甘蔗熬制而成的朴素黑糖“帕内拉”撒上甜味,再加上甜香。
咖啡因和糖分一下子觉醒。果冻在点餐后马上发球,咖啡要好好地用手滴落,掉下来需要1分钟半左右。只要有5分钟就可以全部吃到肚子里满足,得意洋洋洋地去下一个目的地。
采访也很快。经常窥视6楼的银座茑屋书店,但今天的目标并不是书和杂志。
在没有时间买东西的时候转换心情的话,窗口购物比较好。那也是非常有梦想的家伙。这里想看的是刀! 茑屋书店的日本刀专柜,展示贩卖至今仍在继续制作的刀匠亲手制作的新日本刀。也就是说,这是一个能近距离看到现存工匠们的作品,如果有兴趣的话就能买到的地方。“好,我买日本刀了!”虽然没有经历过这种威风凛凛的冲动买,但是仔细看着刀剑的话就会觉得不可思议。
中央的黑色和朱的波罗诺伊图图案的匕首2振,是马克·纽森设计的。鞘和花纹的套装是3500万日元也。没有现实感让人心情舒畅。就算不行,只要努力也能买到的刀不是吗?
奈良县的刀匠河内国平之手。200万日元。这个价格设定,如果想从清水的舞台上跳下来的话…像憧憬小号的孩子一样靠近窗口,作为口袋妖怪的时候,“要拿这个刀吗?”的声音。
正是常春藤书店的吉村先生。嗯,在这种地方拿着剥身的日本刀行吗? 在慌慌张张的时候,吉村从窗口取出腋下,为了采访特别握住了他。
鲁利! 好漂亮。我的手上摇着刃文的闪烁。在银座的正中央拿着日本刀的事实让人挺直腰板。据吉村先生说,刀剑在这里以相当大的频率卖得很好。
“最近因为‘刀剑乱舞’热潮,在年轻女性中很受欢迎。制作这个腋下的河内国平先生也说:“请用这个给我做刀!”据说,掌握了存款的年轻女孩直接来了。在日本刀800年的历史中,女性以自己的意志想要刀的时代到来了。”吉村先生的话很起劲。啊,不行。并不是说“6分钟”,而是度过了意想不到的长居。把刀放回下来。
一听到“银座的画廊”门槛好像很高,但是5F的“Artglorieux GALLERY OF TOKYO”是可以轻松进入的艺术画廊。和日本刀一样,如果自己买的话,不负责任的梦想很开心。前几天拜访的时候,在以前杂志上做过特集的亚历克斯·果的作品前,沉浸在脑内模拟中,想装饰自己家的哪里。当天的展示是“Precious Coral 6 color Collection~来自深海的礼物~宝石珊瑚”展。
“这不是艾贾的红石吗?”瞠目结舌,集英社在世界上引以为豪的漫画《JOJO的奇妙冒险》中登场的宝石不可能在这里。当然是珊瑚。嗯,焦急了。沉着冷静地看了价格,发现超过4千万日元的眼光。
使用草间弥生装饰的里面的商谈空间的日子会到来吗?由于珊瑚的冲击,鞭子进入最后的放松空间。
再次回到B2F,前往“10FACTORY”。夏目漱石的《少爷》也为人熟知,是以爱媛县松山为根据地的“橘子殿堂”。目标是橘子的生榨汁(722日元)。在5~6分钟左右的短时间内也能充分充电。
用于生榨果汁的橘子,从“不知火”和“甘平”两个品种中选择前者。可以马上用低速果汁拧干。虽说是低速,但支付后只要有2分钟就能完成果汁。
在室内空间的栖木里喝生榨汁的话,就会切实感受到身体会复苏。平时的话,只能无言地静静地眺望橘子的榨残渣从果汁机里排出,但是今天是采访了。“现在喝的不知火,别名decorpon,是前面尖尖的品种。另一个甘平虽然口感很硬,口感很清爽,但却是一种甜味强烈的品种。”副店长给我们说明了橘子。
详细情况也应该是这样,据说是爱媛的橘子农家出身。另外还点了橘子啤酒(630日元),不知不觉就变成了6分钟的闲话。…
作为世界上屈指可数的高级购物街银座,沉浸在短暂的梦想中也是不错的。在作为商业街的银座享受快速恢复精神也不错。但是,无论哪家店只要花时间,就会有相应的新发现。虽然自己是个急性子,但下次还是想慢慢地在GINZA SIX上闲逛。
Text:Takayuki Yamasaki Photos:Yuichi Sugita Edit:Yuka Okada
I’m restless by nature, a trait handed down from my parents, one that’s given me nothing but trouble since I was kid. My job as the editor of a fashion magazines keeps me busy every day, with press events to attend and so on and on. But being so restless makes it hard to stay in one place for long. I get fidgety. I go around doing everything ahead of schedule. I get tired all the more because of these habits.
I’m in Ginza often. It often happens that I arrive 15 minutes before the start of some party organized by a fashion label at its Ginza boutique. That’s a little too long just to wait, but not enough time to go and relax at a coffee shop. Accounting for the time to walk there and back, you really only have 5 or 6 minutes. Even so, I’d like to forget about work, just for a moment. I find myself casting about for a reboot. That’s when I’ll often drop into GINZA SIX: GINZA SIX in Just 6 Minutes! So what to do, and where? I have a few ideas.
Slip down the escalator to Café Europe on the second belowground floor. The legendary café from 1920s Ginza revives the roaring era of “mo-boys” and “mo-girls” (“mo” being short for “modern”). Get the Ginza café jelly and coffee set (1,050 yen; all prices listed before tax). Even if the eat-in space is crowded, turnover’s fast. You almost always get a seat.
The coffee jelly is sugarless, so it has a nice, bitter taste. I sprinkle on some panela, unrefined whole cane sugar, for sweetness, and dig in.
The caffeine and sugar give me an instant lift. The jelly is served as soon as you order. The coffee is hand-dripped; it takes around a minute and a half to brew. You can gulp it all down and bask in brief satisfaction in as little as five minutes. In high spirits now, I head to my next destination.
I do my research fast, too. I look around a bit at Ginza Tsutaya Books on the sixth floor, but I’m not here for books or magazines today.
Window shopping is a perfect change of pace when you don’t have time to buy anything. Plus, it can really stir the imagination. I came to look at these swords, in fact. The Tsutaya here has an area that displays and sells Japanese swords, which continue to be made by swordsmiths even today. In other words, you can get up close to swords made by contemporary swordsmiths. If there’s one you like, you can buy it. “Alright, let’s go buy a sword!” I’ve never been one to go ahead and impulse-buy something quite like this, but I’m aware of a strange craving as I peer.
These two aikuchi swords in the middle with the Voronoi pattern design in black and red are designed by Marc Newsom. The set of two with sheath and grip is 35.0 million yen. The idea of buying them is dizzying—rapturously so. Perhaps it’s completely out of the question. But there may be a more affordable one I can buy if I stretch my finances a bit.
This short sword by Nara Prefecture master swordsmith Kunihira Kawachi is priced at 2.0 million yen. Given the price, I could take flying leap and… as I’m gazing glassy-eyed, my face pressed up against display case like a kid who really wants a trumpet, I hear a voice: “Would you like to hold this sword?”
The graceful, kimono-clad woman I hear murmuring in my ear is the bookstore’s Ms. Yoshimura. Wait a minute! You’re saying I can hold a Japanese sword unsheathed right here in the store? They let you do that?!? As I fumble for words, Ms. Yoshimura removes the sword from the display case and holds it out for me to grip—as a special exception, since I’m on assignment.
My, but it’s beautiful! I tentatively waggle the gleaming blade protruding from my hands. A chill runs down my spine at the idea—I’m holding a Japanese sword in the middle of Ginza! It turns out they actually sell quite a few swords here at Tsutaya, according to Ms. Yoshimura. “The popularity of Touken Ranbu has made swords really popular among young women lately,” Ms. Yoshimura tells me. “People say Kunihira Kawachi, the swordsmith, has women show up at his workshop clutching their savings and pleading, ‘Please forge a sword for me!’ Apparently, for the first time in the 800-year history of Japanese swords, women covet swords….” It suddenly occurs to me I’ve managed to be here well over 6 minutes. I return the sword, and I’m off again.
The words “Ginza gallery” tend to be a little intimidating, but stepping into Artglorieux Gallery of Tokyo on the fifth floor turns out to be no problem at all. As with swords, it’s fun to fantasize about being momentarily and deliriously irresponsible enough to make an impulse to purchase here.
When I visited the other day, I immersed myself in various stimulating hypotheticals involving decorating my house with an Alex Katz, an artist we previously featured in the magazine. Today’s exhibition is the Precious Coral 6 Color Collection.
Could this be the Red Stone of Aja? What I’m staring at here can’t be that famous gemstone from the world-famous JoJo’s Bizarre Adventure, published by Shueisha, can it? It’s coral, as you’d expect. It takes a second to recover my balance. I calm down, look at the price, and my eyes pop out of my head: it’s more than 40 million yen!
Will the day ever come when I’m in the back room there with the Yayoi Kusamas on the wall discussing my latest purchase? The shock of the coral sets the spurs into my side. I pick up the pace and head to the last spot on my reboot tour.
I return to the second belowground floor and head to 10FACTORY. The Mikan Palace is based in Matsuyama, Ehime Prefecture, a place you may recall from Natsume Soseki’s novel Botchan. Today I’m after the fresh-squeezed mikan juice (722 yen), a potent delectable drink that provides just the power boost you’re looking for in five or six minutes.
The fresh mikan juice is made with either the shiranui or kanpei variety. I go with the former. I have it squeezed right away in the low-speed juicer. Low speed doesn’t mean it takes all that long: it’s ready in just two minutes or so.
As I sit on a barstool in the eat-in space and drink the fresh juice, I feel my body revive. Normally I sit in silence watching the mikan remains being removed from the juicer, but today I’m on assignment. “The shiranui you’re drinking now also goes by the name Dekopon,” explains the shop’s assistant manager. “This variety of orange has a characteristic protruding bump. The other one, kanpei, has a firm, crisp taste, but is really sweet.”
It makes sense she knows so much; she’s from a family of mikan farmers in Ehime, she tells me. I follow up my juice with a glass of mikan beer (630 yen). Once again I’ve chatted beyond my allotted 6 minutes…
It’s great fun to immerse yourself in oh-so-brief dreams in Ginza, one of the world’s premier shopping districts. It’s also great to take in some speedy refreshment in the business district of Ginza. But no matter the establishment, if you spend the time, you’ll discover something new. Restless by nature as I am, I want to try wandering GINZA SIX at a nice, leisurely pace the next time I visit.
Text:Takayuki Yamasaki Photos:Yuichi Sugita Edit:Yuka Okada
山崎贵之
男性时尚杂志《UOMO》主编。1972年出生。冈山县出身。1995年进入集英社,分配到《MORE》编辑部。之后调到《SPUR》,2015年开始担任该杂志主编。2017年开始现职。
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