GINZA SIX EDITORS
时尚、珠宝&手表、生活方式、美容、食品…
精通各种类型的个性丰富的编辑们,在GINZA SIX上闲逛
记述走路发现的乐趣。
寻找能够专注于远程工作的心理开关。 Switching Gears to Remote Work
平井莉生
GINZA SIX EDITORS Vol.103
作为自由编辑工作的我没有办公室。白天外出采访和摄影,傍晚以后去多家编辑部,之后主要在自己家工作。虽然经常有人说“能在家里工作真厉害啊”,但是不管喜欢不喜欢,都得不到那样做。无论是雨天还是刮风,还是充满干劲的日子,宿醉累累的日子都不工作的人不能吃的自由职业者,所以花了几年时间自己的“舒适!打算掌握远程工作术”。
2020年,意外的是很多人都说“舒适!到了寻找远程工作术”的一年。虽然根据工作内容、家庭构成、房子的房间布局不同,回答也不同,但最重要的还是在日常生活和工作持续的过程中,“如何转换心情”。GINZA SIX是那样的“干劲开关”(这已经旧了吗?……?)去寻找的地方。首先建筑物很漂亮。并不是像平常的“风衣和运动鞋”一样的打扮,而是换上稍微漂亮一点的衣服化妆,让人想着“喂,出门!”这样的心情踏进去。那么,来吧。
从银座的拥挤中穿过入口,走向翻滚的GINZA SIX购物世界。坐自动扶梯在楼层移动时就会有情绪高涨。一直呆在家里的话,因为没有这种“转换的时间”,所以总觉得很悠闲。
目的地是4F的“CIBONE CASE”。陈列着国内外创作者的作品、室内装饰、设计产品。即使是渗透着生活感的房间,也会因为某些“物品”而改变气氛。
正值圣诞节期间,在装饰华丽的店内,Mt.Hari”的树瓶套(15000日元※以下全部不含税价格)吸引了我的目光。据说是日本针织艺术家提出的针织箱中针山一样的室内装饰品的品牌。没有同样图案的东西,很松软,像展示的那样盖在葡萄酒瓶里很可爱。“在圣诞节想喝的红酒上盖上这个,等待当天也很棒啊”之类的,早就脱轨了,很危险。必须找对工作有用的东西。
视线投向脚下,“Hender Scheme”的皮革拖鞋(12000日元)。这个非常适合转换心情! 远程工作成功的第一步是“早上起床后,洗脸换衣服”(作为人来说是理所当然的,所以不是用糊糊的表情说的),即使好不容易换了衣服,脚下光着脚和房间短袜,心情也不会紧张。采用了和皮革鞋底使用的一样的皮革鞋,如果是像拖鞋一样的手提包和白色手杖一样的皮鞋的话,可以在和外鞋之间度过愉快的时光。
坐在桌子上后,我想把自己喜欢的马克杯和热水放在桌子上。就个人嗜好来说,咖啡自不必说,日本茶也喜欢(听说绿茶的儿茶素对预防和改善宿醉有效果),如果是日本茶的话,一定要喝“上出长右卫门窑”的热水(各7000日元)。传统图案的“笛吹”,扛着收录机,坐着滑板,转着唱片。…“这好像是那个人啊”这样的亲切感涌现,一进入视野,心情就会突然松弛。
“CIBONE CASE”是日本作家的容器种类丰富,因为是手工制作的作品,所以没有一个相同的东西。这天拿到的是小野象平的作品(9000日元)。父亲是陶艺家小野哲平先生,是用釉药的原料自己制作的作家,这个容器也很漂亮的蓝色釉药很美。即使做远程工作也很开心的是午餐时间。工作中的午饭想尽量用一盘吃,这个容器的大小和深度都正好是好咸梅。即使是依赖于Woberts的时候,如果能盛到这个上面的话,一定会有一个不错的午餐。
除此之外,还有在意大利诞生的与香味相关的实验性项目“LABORATORIO OLFATTIVO”的迪夫(8900日元)、以广岛为据点活动的“丛”多肉植物(35000日元)等,为提高房间气氛,创造舒适的空间提供了帮助。
如果是真的,搬家到有工作室的房子,或者备齐工作用的桌子和椅子,即使想改变大环境,谁都不能马上那样做。但是只要改变拖鞋、茶杯、拖鞋,开关就可以切换。重要的是,要事先了解自己的要点,改变什么才能转换心情。
比如说,“声音”也是“干劲开关”之一。至少对我来说是非常重要的,在早上醒来回复邮件之前,收音机、拥挤的工作、写原稿的时候要注意精神,必须努力工作的时候要用很高的BPM……为了鼓励自己,Spotify正在全力运转。接下来是为了提高声音的环境,到2021年2月28日为止限定期间的2F高级音频精品精品店“物与鄂图SIT BACK&RELAX”。
店内摆放着蓝牙的高音质、设计性优秀的音频。瑞典音频品牌“TRANSPARENT”的扬声器,由于各个零件被模块化,可以拆卸更换,从而实现了可持续性。有存在感的黑色身体的“STEEL SPEAKER”(300,000日元)也很雅致,用强化玻璃制成的透明类型“TRANSPARENT SPEAKER”(138800日元)就像艺术块一样。
这是瑞士的音频品牌“GENEVA”的商品(18500日元/24800日元)。像小型照相机那样小的尺寸,直线性简单的设计,延伸的天线给人一种古典的印象。在桌子上也不会碍事,放在厨房里也很方便。虽然很小但是有魄力的声音,从全充电开始可以连续播放20小时。即使是非常常用的东西,也没有损失。
“哪个都很棒,但是哪个好还是很清爽……”,工作人员认真地告诉了我。“只正规进口销售自己喜欢的海外音频品牌,对自己公司经营的商品和觉得有趣的商品进行心动销售”,原本作为同名的在线商店于2017年开始营业。据说2020年9月6日,GINZA SIX刚刚开设了第一家真实店铺。
开始想着“果然还是想用好的器材听到好的声音”,就很在意耳机,也很在意“Marshall”的便携式扬声器(59800日元)。啊,我想带着这个去露营……。明年能去音乐节玩吗?……。又开始脱轨了,集中精神去6楼的“银座茑屋书店”。
伯恩!眼前出现的是大耙子。据说是艺术家天野武和清水屋艺术部的合作。“清水屋”是1925年创立的埼玉三芳的老字号,据说是抱着“用积极的解释和想象力创造出耙子更进一步的魅力”的想法而成立的艺术部。虽然是纤细的自由职业者,但还是觉得“总有一天我想要一个好的耙子啊”,却在Instagram等网站上进行了检查,能看到实物真的很感激。……。想要……。
一想到生意兴隆到能买到大耙子就好了,就觉得差不多该回家回工作了。好像被GINZA SIX紧紧地按了“干劲开关”。
在回家之前,要检查“GINZA SIX ART CONTAINER”。馆内8处集装箱里,展示了以“新约会”为概念的作品。我在意的是2F的艺术家WAKU的作品。在内侧涂满了漆的容器中凝视着闪闪发光的霓虹灯,虽然瞬间就会忘记时间,但并不是忘记时间的情况。读取概念板的QR码就可以共享现在所在地,所以我想“下次私人去拜访,在这里见面吧”。为此,我会尽快回去,更加努力远程工作。
ART CONTAINER
信息在这里
Text: Rio Hirai Photos: Megumi Edit: Yuka Okada(81)
As someone who works as a freelance editor, I don’t have an office. In the afternoon, I’ll go research an article or attend a photoshoot. In the evening, I’ll check in with any number of editorial departments. Beyond that, I do almost all my work at home. People would often say: “I can’t believe you actually get work done at home.” But, like it or not, I’ve had no choice. On rainy days, on windy days, on days when I’m raring to go, on days when I’m really hung over, it doesn’t matter: if you don’t work, you don’t eat. Such is the life of a freelancer. That’s why, after so many years, I’ve accumulated certain skills and techniques for making remote work a pleasant experience.
Strangely enough, in 2020, a whole lot of people have had to find their own ways to make remote work more enjoyable. No doubt their solutions differed depending on their job, family circumstances, and floor plan. One key for everyone has been figuring out how to switch gears between work and private life in a place where work and private space are intermingled. GINZA SIX is actually the perfect place to go find that switch that will get you going. First off, the building is gorgeous. I forego my typical hoodie-and-sneakers look, change into some nice clothes, do my makeup, take a deep breath, and…“I’m off!” I’m ready to step in. So, here we go!
I leave the Ginza throng and pass through the entrance into the dazzling world of GINZA SIX. Moving up the floors on the escalator, I’m overcome with elation. When you’re at home all the time, there isn’t much opportunity to switch gears like this, so you end up idling about and not doing a lot.
I’m headed to CIBONE CASE on the fourth floor, home to interior and design products from creators from Japan and beyond. Even in abundantly lived-in rooms, adding just a single new object can change the mood.
We’re in the middle of the Christmas season, so the store interior is suitably and strikingly decorated. My eye is drawn to the Mt. Hari tree-shaped bottle cover (15,000 yen; all prices listed before tax), the pride of a Japanese sewing artist who makes fascinating home décor articles like pincushions in a needlework box. Soft and fluffy, no two of the patterns are the same. The effect of putting them on wine bottles, as in the display here, is just adorable. I could put one on a bottle of wine to drink for Christmas, then await the big day—that’d be great…but I digress. My job here is to find things that will help me work.
I look down at my feet and find these Hender Scheme leather slippers (12,000 yen). How perfect would these be for switching gears! The first step toward successful remote work, I think, is getting up in the morning, washing your face and getting dressed (not that this is at all anything unusual I can boast of, I hasten to add!]). But though you’re dressed, with bare feet or just comfy socks, it can still be hard to get into work mode. The leather of the soles is the same as the leather found on normal leather shoes; the tassel is something you might find on a traditional loafer, while the white stitching adds an accent. The slippers strike the right balance between indoor and outdoor shoes, the right level of tension when focusing on work.
I like to have a favorite coffee mug or teacup next to me when I’m at my desk. I like coffee, naturally, and green tea (the catechin in green tea, I hear, helps prevent and relieve hangovers). So drinking green tea from this Kutani teacup (from Kamide Choemon Pottery) (7,000 yen each) would be ideal. The flute player, a traditional design, holds a boombox while riding a skateboard and spinning records in a way that suggests he might be someone you know, someone you’re close to. The sight is immediately reassuring.
CIBONE CASE features a large selection of bowls by Japanese artists. Each hand-made article is unique. The one I’m holding here is by Shohei Ono (9,000 yen), whose father is Teppei Ono, the ceramicist. Shohei Ono makes his own glazes. The blue glaze on this particular bowl is breathtaking.
Even people working remotely look forward to lunch. If you’re busy and considering having a single dish, this bowl would be just the perfect size and depth. For example, if you order out with Uber Eats, you can fill up the bowl and have, no doubt, a pretty nice lunch.
You’ll find many things at CIBONE CASE that can help energize your space and make it a pleasant place to work, including this diffuser (8,900 yen) from LABORATORIO OLFATTIVO, an experimental aroma project started in Italy, and this succulent plant (35,000 yen) from Qusamura, based in Hiroshima.
Certainly not everyone can move to a house with a home office, set aside a desk and chair just for work, or change their work environment in significant ways. But you can mark the transformation just as decisively with a pair of slippers, or a teacup, or a new diffuser. The key lies in knowing yourself and what changes will help you shift in and out of work mode.
For example, sound can be another way to flip the switch. For me, at least, this is pretty important. From the time I wake up to the time I’m done with email, I listen to the radio. If I have to concentrate especially hard or write an article, it’s instrumental music. When I really have to dig in and make progress, I’ll up the tempo and rev myself up by making maximum use of Spotify. This means my next task is to improve my audio environment. MONO & SOUND SIT BACK & RELAX, a premium audiophile destination, is here on the second floor for limited time (until February 28, 2021). And that’s where I go.
Inside, you’ll find Bluetooth-enabled audio devices featuring exceptional sound quality and design. These speakers, from the Swedish audio brand Transparent, are made up of modules that can be removed and exchanged separately, which they say represents its advocation of sustainability. The impressive, black-bodied STEEL SPEAKER (300,000 yen) is especially striking. TRANSPARENT SPEAKER (138,800 yen), a transparent model made of reinforced glass, looks like an art piece.
These are from the Swiss audio maker GENEVA (18,500 yen / 24,800 yen). They’re small, about the size of a compact camera. Their simple rectilinear lines and extendable antenna combine for a classic look. Placed on a desk, they don’t get in the way. They’d work well in a kitchen, too. They’re small, yes, but the sound is powerful. With a full charge, they can play continuously for 20 hours. Having one for emergencies wouldn’t be such a bad idea.
As I’m thinking, Well, they all look great, I have no idea…, the sales attendant carefully explains things to me. “We import and sell, under license, only the overseas audio brands we really like. Plus, we curate and sell products handled by our company and other products we find interesting.” An online store of the same name was launched in 2017. This store at GINZA SIX has been around since September 6 of last year. It’s the company’s first brick-and-mortar venture.
I start to think, yeah, I’d like to listen to great audio on a good device…these headphones look interesting…and I’m into this Marshall portable speaker (59,800 yen)…maybe I’d take this on camping trips…I wonder if I can go to a music festival next year…Oops, I’m getting off track again. I pull myself together and head to Ginza Tsutaya Books on the sixth floor.
And just like that, a kumade decorative rake (representing success, wealth, and good fortune) slides into view. It’s a collaboration between the artist Takeru Amano and Shimizuya’s Art Division. A venerable maker of kumade rakes founded in 1925 in Miyoshi, Saitama Prefecture, Shimizuya launched its Art Division to promote the appeal of kumade that highlight creativity and progressive interpretations. Though I’m just a freelancer, I’ve thought about getting a real kumade someday. I’ve furtively checked them out on Instagram and other places. But seeing a real one in person is amazing—I so want one!
I wonder, perhaps if I hit it big in business I’ll be able to buy a big one someday…Now though, I realize I need to get back home to work. GINZA SIX seems to have flipped my switch back to work mode.
On my way out, I check out GINZA SIX ART CONTAINER. Eight containers set up around the complex feature works based on the theme of new meetup spots. I’m especially fond of the work by the artist WAKU on the second floor. While gazing at the bright neon tubes inside the container painted jet-black inside, for a moment I almost lose track of time, unintentionally. The idea is that you scan the QR code on the concept board to share your current location with others. The next time I’m here on my own time, I’m considering making this my meetup spot. I guess I really do need to head home and get back to remote working.
ART CONTAINER
See here for more information.
Text: Rio Hirai Photos: Megumi Edit: Yuka Okada(81)
平井莉生
编辑作家。1989年出生于东京都。在大学期间作为助手从事,2015年独立。以“POPEYE”、“Hanako”(Magazine House)、“SPUR”(集英社)等杂志、担任主编的“ASBS”为首的网络、广告等活动。
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