

GINZA SIX EDITORS
时装,珠宝&表,生活方式,美,食物…
精通各种类的充满个性的编辑们GINZA SIX和闲逛
抒写步行找到的享受方法。
在光一时的兴致的圣所忘记时间,漫步 Forgetting Time Strolling in a Sanctuary for Lovers of Shiny Things
岡部駿佑
GINZA SIX EDITORS Vol.5(Jewelry&Watch)
在有之前变成话题的海外的论文有"人类为什么晕有光泽的东西"的东西了。联想到曰,水的闪闪发光的质量感觉好像遗传性地自古以来更吸引人类了。在定没有真伪的东西,但是因为正使光一时的兴致正当化所以没有这样多谢的借口。
是到在此之上没有的程度在银座中央路上新诞生的地标GINZA SIX发光,适合东西的建筑物。处理装修的是法国人的设计师,guenaeru·尼古拉斯。宽敞的空间差事以及开阔性的通顶设计的中厅适合银座的图标的名。一边怀念那个雄壮的到达想要突然窥视用现代的创造有人气的三个店铺,一边,想。
首先按照2楼的三原在一侧等待的是弗兰克穆勒的时装店。是也在一样的银座拥有路面店的弗兰克穆勒,但是原创的家具或者杂货作为总计·生活方式品牌在GINZA SIX的店铺准备齐全,采纳世界最初的概念。
首先进入商店的话看见的作为品牌的象征的tonou(桶)型表演情况。往里面看看的话,眼睛优雅美丽的时间和平的许多正伫立。女性的粉丝好像是多量抱住的品牌,并且,在男性顾客占据大多数的机械式钟表行业,华丽的珠宝表在前的显示器排队。
这里放出神秘的光的珍珠母的女子的表。为了对手腕接近描写绝妙的弯道的情况适当地演绎声明。
而且,朝商店背面的方向前进的话看见的作为小丸茂丹的沙发。供顾客的商务谈判使用…那么,没有,并且这些家具也和商品在出自弗兰克穆勒的东西一切是。原来如此,好好看的话tonou型被细目沿袭。
顺便被在内部装上的餐桌被显示的晶体服装和shirubakatorari和在tonou型的什物排队的袋是弗兰克穆勒! 顺便遮盖能取悦纺绩品的窗的窗帘好像能接受作为眼睛康尼克的bizan数字的订货。
以及这个独特的概念最体现的被同时设置入口的隔壁的帕蒂三。当然这里也是世界最初的行动。在表演情况,闪闪地和钟表一样发出光芒的糕点等。里面有也花1粒约2000日元的蜜饯栗子。是为什么的帕蒂三?与提供shitaigatameno新的建议的回答也to到问工作人员的话从"享受时候"的品牌的概念发展的也在吃的特别的时间不礼貌地归还了。一边沉浸在雅致的心情里,一边通知离去,在时候再来了。
欧洲的老铺juera把所继续连起来的1楼。从按照中央的原样未加改变的入口进入,是自动扶梯的马上在内部看得见的是意大利,并且在1924年开办的damiani的时装店。
在正面的玻璃盒子排队的是"铃纪元"以及以"D图标"代表的图标珠宝的许多。获尤其引人瞩目的"伊甸园"特辑被当做珠宝界的奥斯卡的钻石·国际·奖的名作。近来是正作为新经典在珠宝行业固定的年袖口,但是pavedaiyamondo被白金对待的这里是感到倾向性和时间没有的设计美学的杰作。
damiani同等2年之前在银座开着世界最大规模的旗舰店,但是这个时装店正和以前的弗兰克穆勒一样在世界采用只这里有的独特的概念。是掩盖什么吧的这个时装店,与venini的混合店铺。
因venini现代的设计以及与种种著名的作家的联手合作而广为人知的venetsuiangurasu的老铺品牌。damiani甚至在旗下在2016年1月获得过venini,在这个银座的地方开登载双方的名字的首次的店铺了。
比方说这个是安藤忠雄先生的作品。感到从玻璃,食材把違edo,传统的職人技带到现代的两个品牌互相呼应宝石的哲学。
然而,不仅进口货而且,许多国内的珠宝品牌开店的是GINZA SIX的大的特征。在2楼,再,排列二朱布M日本的实力派juera工人,安倍。那里面引人瞩目的是日本的daiyamondojuera,眼睛范妮的时装店。
是作为好像不作为银座的工业的装修用好的意思引人瞩目的这个店铺,并且,在作为眼睛康尼克的动机珠宝以及用了彩色钻石的高珠宝以及壁面,是品牌的创业者,并且设计师的川村"JURY"洋一他加了另外的艺术品被举起来,这些也被销售。
尤其印象深刻的把汉数字换成动机的魅力。正看的话好像来自海外的旅游者感到高兴的浮现在眼前。什么和界内跳起目标捆扎太杂七杂八,但是,对积极对待进军海外的日本的juera来说,GINZA SIX是绝好的平台。据说实际上许多海外的粉丝在这个店铺专程前往。
GINZA SIX宣称的概念,"新奢华"。和新的奢华,什么。像弗兰克穆勒以及damiani那样采纳其他店铺没有的概念的新营业情况或者老铺mezon和国内的锐气juera是有共存的独创性的kyureshon吗?那种解释各种各样,但是,在雄壮的规模的这座建筑物,是像博物馆那样的重厚的话作为只有近代城市东京才有的混合的感性以及只有银座才有的远离尘世做的雅致的样子正漂亮地共存。
Text : Shunsuke Okabe Photos : Utsumi Edit : Yuka Okada
A foreign study came out some time ago titled “All That Glistens” and became a topic of conversation. It was about why human beings tend to be attracted to shiny objects. According to the study, textures that glisten in a way reminiscent of water have captivated human beings for reasons written deep into our genetic heritage since time immemorial. I can’t say whether this is true, but I couldn’t be happier about the conclusions, since they legitimize all lovers of shiny things.
There’s no building better suited to housing shiny things than GINZA SIX, the new landmark on Ginza Chuo Dori. The interior is the work of French designer Gwenael Nicolas. It’s remarkably spacious; the open and airy atrium is perfect for the iconic Ginza name. With this magnificent approach in mind, let’s take a quick look at three stores currently drawing attention for their modern creations.
First, awaiting you on the Mihara Dori side of the second floor is Franck Muller, which also operates a street-level store in Ginza. As a total lifestyle brand, its GINZA SIX location features original furniture and various other items. It’s the brand’s first store anywhere in the world based on this concept.
When you step into the store, you first see a showcase in the shape of a tonneau, or barrel, which is the brand’s symbol. Looking more closely, you’ll find a selection of striking timepieces on display. As befits a brand with many female fans—in a mechanical watch industry whose customers are mostly men—the timepieces set here before you are all gorgeous articles of jewelry.
These mother-of-pearl ladies watches have a mysterious luster, and their cases are curved to perfectly match the curvature of the wrist. They certainly make a statement.
Moving deeper into the store, you’ll find these modern minimalist sofas. You’d think they were set there for customers to discuss their purchases, but the furniture pieces are actually Franck Muller products, and they’re all for sale. It makes sense once you take a close look and notice the tonneau motif in the details.
I should let you know, too, that the dining table toward the back of the store, the displayed crystal ware and silver cutlery, and the bags sitting in the tonneau-shaped display case are all from Franck Muller! And, moreover, you can special-order the curtains covering the windows, whose textile fabric features the brand’s iconic Byzantine numerals.
I think what best exemplifies this unique brand concept is the patisserie next to the entrance, which is also the first of its kind anywhere for the brand. The showcase is lined with sweets that sparkle just like timepieces. They include marrons glacés for around 2,000 yen each. So, why the patisserie? I asked a staff member, somewhat abruptly. The staff member informed me the idea emerged from the brand concept of enjoying time. The idea was to infuse the act of eating with the special experience of time. So, immersed in this feeling of refinement, I promised to revisit when I left the store.
The first floor features a number of Europe’s most established jewelers. Entering from the Chuo Dori side, you can see, immediately behind the escalator, a boutique from Damiani, the design house founded in Italy in 1924.
In the glass case in the front, you’ll find jewelry items from the brand’s iconic collections, including Belle Époque and D.Icon. I’m drawn particularly to the Eden collection, which won the Diamond International Award, known as the Oscars of the jewelry industry. Ear cuffs have recently emerged as a new standard in the jewelry industry. To me, this white gold cuff decorated with pavé diamonds is both a trendy and timeless aesthetic triumph.
Damiani, as you may know, also opened one of the world’s largest flagship stores in Ginza two years ago. Like the Franck Muller store we just visited, its boutique at GINZA SIX is based on a concept unique in this world. It’s a hybrid store that shares space with Venini.
Venini is a longstanding Venetian glass brand known for its modern designs and many collaborations with renowned designers. In January 2016, Venini became part of the Damiani group. Partly for this reason, the two brands opened their first store together right here at GINZA SIX.
One example is this work by Tadao Ando. Gemstones and glass—the materials differ—but both of the two brands bring traditional craftsmanship to contemporary life. I certainly sense a strong similarity in outlook and philosophy.
A major characteristic of GINZA SIX is that it offers not just imported items but a good number of jewelry brands from inside Japan. On the second floor, you’ll find AHKAH, AbHerï, Bijou de M, and other of Japan’s influential jewelers. I’m drawn particularly to the boutique of EYEFUNNY, the Japanese diamond brand.
The boutique’s industrial—and, in a sense, un-Ginza-like interior—is eye-catching, as are the store’s iconic motif-based jewelry collections and high jewelry with colored diamonds. The walls feature artwork specially ordered by Yoichi “Jury” Kawamura, designer and brand founder. The artworks are also for sale.
I was particularly taken with the kanji-number charms. Inspecting them I see the delight overseas tourists must derive from them. It wouldn’t be fair to say they’re expressly for the inbound market, but for a Japanese jeweler taking an aggressive approach to overseas expansion, GINZA SIX makes the perfect platform. And, in fact, I’m told that many fans of the brand from overseas visit this store.
GINZA SIX is all about New Luxury. But what does New Luxury mean? Is it new store formats that incorporate concepts found nowhere else, like Franck Muller and Damiani? Or is the complex’s distinctive combination of longstanding maisons and cutting-edge domestic jewelers? The possible interpretations are manifold, but in this massively scaled complex you’ll find a splendid blend of museum-like heft, the hybrid sensibility of modern Tokyo, and an otherworldly elegance that’s distinctively Ginza.
Author: Shunsuke Okabe Photographer: Utsumi Editor: Yuka Okada

岡部駿佑
生于1990年的。在独立杂志"The Reality Show"自横滨国立大学在校期间起堆积经验。之后作为弗里兰姿的编辑,化妆师独立。是迄今为止包括"SPUR.JP","WWD","i-D Japan"在内,投给种种时装媒体的旁边,并且发挥只有数码当地人代才能做到的经验,进行数字内容的方向,咨询。